
My rating: 3 of 5 stars
Its 1938, Europe is on the brink of war. Primrose Nevendon lives a rather Bohemian lifestyle as a freelance stage designer with her Italian mother and a collection of artists and philospohers that call themselves (rather grandly) the Bevern Fraternity. Her father Archie left them when she was small and she has barely seen or heard from him since. He is now a director of Anglo-Levantine Oil in Cairo whilst also running his late brother Nim's theatre.
Then two Special Branch police officers come calling, Archie has gone missing in Egypt and they are concerned that he might have sold secrets about British oil pipelines and the like to the Germans and/or Italians, especially since Prim herself was briefly a member of the British Union of Fascists until she realised that they were just as bad as the Communists and didn't really want change for the masses - just for the leaders.
Prim decides to travel to Egypt to find her father. On the long air journey she meets Harry Taverner, ostensibly with the British Council to bring British arts and science to Egypt, but in reality to babysit Prim and see whether they can find Archie (or if she knows where he is). Also on board is Mike Luzzatto, an American Jew who deals in real estate, although his real motive is buying land for Jewish settlement.
When she gets to Cairo, Prim discovers that there are a lot of people looking for Archie, some of them not at all nice. The theatre manager was kidnapped, tortured, and murdered to find some clues as to where he might be - but no-one knows.
In their attempts to find Archie, Prim and Harry are drawn into the conflict between the Arabs and the Jews, and both sides' antipathy towards the British. It seems as though Archie may have been trying to play both sides and it spectacularly backfired.
The author had clearly done a lot of historical research but honestly most of the time it felt like a bewildering hotchpotch of politics and all I really got out of it was that all sides were pretty unpleasant, prepared to sanction absolutely anything to the cause as collateral damage - that may also have been a product of the times where extremism was rampant across the world. The story itself got subsumed in the politics and felt like a bit of a damp squib, I was left with the feeling of 'so what?'.
I received an ARC from the publisher via NetGalley.
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